→ rdfs:label → "Live Music: Paul Lewis | Schubert IV"^^xsd:string
→ dcterms:description → "<p><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">S</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">chubert</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Piano sonata No 19 in C minor, D958<br />Piano sonata No 20 in A, D959<br />Piano sonata No 21 in B flat, D960</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The last months of Schubert’s life saw his creativity flourish through an unstoppable flow of musical masterpieces. These included the famous string quintet and song cycle Schwanengesang (Swan Song).</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">As his health declined further, he wrote three last piano sonatas. These were composed together in the summer and autumn of 1828, just weeks before his death. Full of emotional intensity, there’s drama, passion, anger, humanity, beauty, and melancholy throughout these works. There, too, are signposts to his admiration for Beethoven (Schubert had been a pall-bearer at Beethoven’s funeral the previous year).</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">With his first Schubert recordings in the early 2000s, Paul Lewis anchored a reputation as a new authority in the composer’s piano music. Gramophone magazine described him as ‘arguably the finest Schubert interpreter of his generation’. Performing and recording the piano sonatas has been a constant throughout Lewis’s career, much as the sonatas formed a thread throughout Schubert’s own life, each one transparent in its emotions.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">In this final recital of the series, we have a chance to reflect on what led the composer Franz Liszt to declare Schubert ‘the most poetic musician who ever lived’.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Lewis is one of the great Schubertians of our time.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Gramophone</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
→ rdfs:label → "Turner Sims Concert Hall"^^xsd:string